Fixes from the four-critic review of v26 (phantom 5th beats, dead gates, the orchestra voiced on top of her, the drop that was only louder, the demo ending) and everything after: steady four-on-the-floor from a pickup two beats before "kiss"; her k- false start kept and made the drop with a gong; voice loudest, guitar seated with her and un-hollowed; chorus beds swell in; her vowel choir, quantized octave rises, the dissolving "out"; tuned/humanized/eager kit with real toms, reverses, wub kicks, the gallop; sine pads struck on her strum motif; melody bus; pitched air; HRTF seats, turns, lap, wobble; vinyl substrate master with no clipper after the wax; a NaN probe. Salamander grand sampler in, part off.