The voice arrives right after the 4-bar intro (chorus0 at bar 4; doors now 4/28/60/80, break 76-80, finale 80-100). Comp rebuilt as jazz: rootless 7th/9th voicings (Am7 G7 Cmaj7/C6 Fmaj7) in a seeded pattern pool - Charleston, anticipation pushes that take the next bar's chord, laid-back strums, per-note touch. Lead vocal gets a bus (HPF 90, +2.5dB @ 3k, gentle 2:1), a hotter gain law, a wide church halo, and the comp/sines/xylo/wash duck under him via an envelope follower. Every regulated set take doubles the lead at the doors (the group); rubberband x2 formant-kept strands at unison/+4/+7 bloom through the break and bed the finale. Master retargeted to house law: -10.7 LUFS, -2.2 dBTP, LRA 4 (was -8.5 LUFS at +0.3 TP). vocal-sets address placement gives way to automatic group doubling for now. Claude-Session: https://claude.ai/code/session_01LaRrW1RHanS8it7SzgrqeV