cornerfive (footwork) — album cover. SQUARE. a photograph of a
colored-pencil and gouache drawing on pure white paper — but a FAST,
KINETIC, high-energy version, full of motion. warm hand-made grain, bold
confident pencil strokes. NOT slick, NOT digital, NOT 3-D. lowercase,
playful, electric. NO text, NO words, NO letters, NO logos, NO readable
brand marks (the hand-drawn "5" on the balls is the ONLY number).

this is the FOOTWORK mix — chopped, stuttering, double-time. the whistle
is sliced into rapid pieces, so the drawn whistle-line is CHOPPED into
dashes and the balls SCATTER in motion.

★ the scene — one corner of a green-felt pool table mid-BREAK, balls
exploding outward. honey-wood rail, dark leather CORNER POCKET. a whole
spray of billiard balls SCATTERING across the felt in motion-streaks —
and among them MULTIPLE ORANGE 5-BALLS (three or four of them, the
stutter/x2 pushed further), each with a hand-drawn "5", caught at
different points of the same path with little speed-lines and
motion-blur trails behind them, racing toward the corner pocket. the
felt is bright and lively.

★ THE WHISTLEGRAPH LINE — a glowing hand-drawn SINE-WAVE whistle-line
flows from jeffrey's lips, but because this is the CHOPPED footwork mix
the line is BROKEN INTO RAPID DASHES AND SEGMENTS — a stuttered,
ratcheting sine made of short bright fragments and staccato dashes,
skipping and retriggering across the felt like a fast drum roll drawn as
light. bright saturated rainbow energy — gold, hot-pink, lime, cyan
fragments. scattered round note-beads burst off the chopped crests like
confetti / sparks. fast, syncopated, joyful chaos. the dashes trace the
5-balls into the corner.

★ JEFFREY — in an energetic, dynamic pose at the near corner, mid-motion
like he just broke the rack, grinning, WHISTLING hard. drawn from the
real refs: brown mussed hair (a little flying), clean-shaven or faint
stubble, big delighted smile around pursed lips. plain relaxed
button-down (bright, sleeves maybe pushed up), yellow sailor pro-gear
fountain pen at the pocket, small yellow bear badge. BOTH ARMS visible
and correct — both hands on the cue mid-follow-through. rounded human
ears. fast, fun, kinetic.

★ his little laptop sits on the rail, lid-back to us, the WHISTLEGRAPH
BUTTERFLY on a taped white scrap — both wings, both antennae, body one
connected block. never an apple, only the whistlegraph butterfly.

★ palette + light — bright, poppy, energetic: vivid greens, warm wood,
saturated rainbow accents on the chopped whistle-line and the motion
streaks. lots of speed-lines and little bursts. soft pencil shadows,
generous bare-paper margin, gentle vignette — but the whole frame feels
FAST.

NO text, NO logos, NO readable letters (only the hand-drawn "5"s). BOTH of
jeffrey's arms present. the butterfly has both wings. a hand-drawn burst
of motion where a chopped, stuttering whistle scatters the fives into the
corner.