diff --git a/grants/SCORE.md b/grants/SCORE.md index 2c2960b3a2..decfbe6a46 100644 --- a/grants/SCORE.md +++ b/grants/SCORE.md @@ -7,7 +7,7 @@ Active applications, deadlines, and status. Newest deadlines first. | Application | Deadline | Amount | Status | Folder | |---|---|---|---|---| | Error 406 [Netstalgia] Not Acceptable | 2026-05-04 (23:59 CEST) | €1,500–7,000 (asking €5.5k) | DRAFT v0 ready | `error-406-netstalgia/` | -| NY Art Book Fair — Project Space | 2026-05-08 | $3,500 stipend | DRAFT v0 ready | `printed-matter-project-space-2026/` | +| NY Art Book Fair — Project Space | 2026-05-08 | self-funded (Project Space fee covered by Aesthetic Inc) | GO — public preview live at [aesthetic.computer/printed-matter-2026](https://aesthetic.computer/printed-matter-2026) | `printed-matter-project-space-2026/` | | Oracle Egg — BROILER Residency (Fall 2026) | 2026-05-15 (23:59 PST) | TBD | DRAFT v0 ready | `oracle-egg-broiler-2026/` | | ~~Francis Gallery solo painting exhibition~~ | parked | — | parked — different call than the public Summer Exhibition; awaiting source URL | `francis-gallery-2026/` | | Smart History — Contributor essay | rolling | unpaid | PITCH.md drafted (send first; PhD-or-equiv clause) | `smarthistory-essay/` | diff --git a/grants/printed-matter-project-space-2026/DRAFT.md b/grants/printed-matter-project-space-2026/DRAFT.md index 0ee50c9be0..8a571cf7b1 100644 --- a/grants/printed-matter-project-space-2026/DRAFT.md +++ b/grants/printed-matter-project-space-2026/DRAFT.md @@ -1,196 +1,198 @@ -# NY Art Book Fair — Project Space — Application Draft +# NY Art Book Fair 2026 — Project Space Proposal Draft > **Deadline:** 2026-05-08 -> **Stipend:** $3,500 (per JS — confirm in form) -> **Submit:** Project Space proposal Google Form (link in NYABF FAQ) +> **Fair:** NY Art Book Fair, 2026-09-24 to 2026-09-27, MoMA PS1 +> **Submit:** https://docs.google.com/forms/d/e/1FAIpQLScDtI_I_G14OaskSkkC8-c_3tK8wDerUrp2gPS8H3ypbuwG8w/viewform?usp=dialog > -> *This draft assumes the Project Space format gives 1 booth-or-installation -> footprint + a presentation slot during the fair. Trim once the actual -> form is open.* +> **Status (2026-05-07):** Aesthetic Inc is prepared to cover the standard +> Project Space fee. The application proceeds as a paid Project Space, not as +> a fee-relief request. --- ## Project Title -**The AC Papermill, Live** - -(Working title; alternates: "Programs As Cards," "The URL As Edition," -"Aesthetic Computer Press.") +**The AC Papermill** --- ## One-Sentence Description -A live publishing booth at the NY Art Book Fair where visitors write -KidLisp programs that print themselves as single-sheet cards in real -time, demonstrating the live tie between code, web hosting, and the -printed page that sits at the center of the Aesthetic Computer -publishing practice. +The AC Papermill is a live press at the fair: visitors write small KidLisp +programs, receive a permanent URL, and leave with a printed card of the code +they just authored. --- -## What The Project Space Will Be (~200 words) - -A small footprint inside the fair: one table, one wall, one networked -printer, two laptops. The setup runs continuously through the fair -hours. - -- **Laptop A** boots into Aesthetic Computer's KidLisp environment. - Visitors are invited to write a short program at the keyboard. Every - state of every program gets a permanent URL. (KidLisp.com hosts - 17,000+ existing user-written programs at this address scheme.) -- **Laptop B** is a print-on-demand station. As soon as a visitor - finishes a piece they like, it's rendered as a single-sheet - index-card composition (screenshot + source + permanent QR-coded URL, - monochrome, 2.75″ × 4.75″) and printed on the spot. The visitor - takes their card. -- **Wall display** of the existing AC papers: the AC Reader, twelve - arxiv-format papers, the dis-order pamphlet, a stack of pre-printed - KidLisp reference cards from the UCLA Social Software course. - Everything free to take, restocked from a small inventory. -- **Periodic "press runs"** — at scheduled times each day, the - artist will compile that day's KidLisp programs into a small - newsprint zine (16 pp.), printed in a short edition (50–100), free - to take. - -The booth runs **continuously and unattended-friendly**. The artist -will be present for the press-run moments and for visitor -conversations; otherwise visitors operate the publishing themselves. +## Short Project Description + +The AC Papermill is a working press in the room. A visitor sits at a laptop, +writes a short KidLisp program, and watches it run. The program is saved at a +permanent URL. A second station prints it as a small card: image, source +code, title, and a QR back to the live work. The visitor takes one copy. A +second copy joins a wall that grows over the four days of the fair into a +collective edition of programs made at NYABF. + +The Project Space is not a demo of Aesthetic Computer. It is one of its +presses, doing what it normally does, in public. + +--- + +## Project Space Proposal + +**The AC Papermill** is a compact live press for the NY Art Book Fair. One +table, one wall, two laptops, and a small printer make the relationship +between code, URL, and printed matter visible in a single encounter. + +At the first laptop, visitors write short KidLisp programs. KidLisp is a tiny +creative language inside Aesthetic Computer, built for drawings and generative +pieces that fit in a few lines. Each program runs in the browser and is +assigned a permanent URL. The URL is not documentation. It is the edition. + +At the second station, the program becomes a printed card: a still from the +piece, the source code, a title or handle, and a QR code back to the live URL. +The card is small enough to carry, trade, or tuck inside another book. + +The wall is the work over time. Each visitor's second copy is pinned up. Over +four days the Project Space accumulates into a single growing edition: the +NYABF Papermill Wall, hundreds of small programs by hundreds of authors, +addressable individually and legible together. The closing image of the fair +is the wall full. + +The project belongs at NYABF because it treats the fair as a place where +publishing can happen, not only a place where finished publications are sold. +It asks a simple question in public: what if an artist's book could be +written, run, printed, and permanently addressed in the same encounter? --- ## Why It Belongs At NYABF -The fair celebrates the printed thing. The Project Space format exists -for presentations that frame a publication or printed-matter practice -rather than just selling it from a table. Aesthetic Computer's -publishing practice is unusual: the printed cards and the live software -are the same artifact, the URL is the citation, the QR code is the -delivery. The booth makes that visible by *running* the press at the -fair. +Printed Matter's Project Spaces foreground expanded presentations of books, +prints, and ephemera. The AC Papermill fits because the printed thing is the +work: every card on the wall is an artist's book in miniature, authored, +addressable, archived, and given away. -The piece also extends a five-year publishing arc that has produced: +The software is the press. The card is the publication. The wall is the +catalog. Visitors are not an audience around a demo, they are contributors to +the edition that will leave PS1 with them. -- **The AC Reader** (`papers/reader.pdf`) — a single-volume bound - collection of all current AC papers -- **The arxiv series** — 28 individual papers across `papers/arxiv-*/` -- **The cards** — single-sheet KidLisp pieces, designed to fit the - hand and the wall (`papers/arxiv-kidlisp-cards/`) -- **The dis-order pamphlet** — recent printed pamphlet, 8.5×11 bifold - (`gigs/dis-order-pamphlet-8.5x11-folded/`) +--- -The booth is the live edge of that practice — the part where the -publishing happens in front of the reader. +## Visitor Flow + +1. Visitor sits at the writing laptop. +2. Picks a prompt card or edits a tiny example program. +3. The program runs in the browser. +4. The system assigns it a permanent URL. +5. The print station outputs a card: image, source, title, QR. +6. Visitor takes one copy. +7. A second copy is pinned to the wall. +8. At the end of each day, the day's cards are gathered into a single sheet + for the wall and the next day begins fresh below it. --- ## What Visitors Take Home -- Their own KidLisp card (printed during their visit) -- A permanent URL that runs their program forever -- An AC Reader copy (one per visitor while supply lasts) -- A dis-order pamphlet -- Optional: stack of curated KidLisp reference cards (from the UCLA - Social Software course set) +- A printed card of the program they wrote. +- A permanent URL where the program continues to run. +- A piece of an edition that NYABF authored collectively over four days. --- -## Budget Sketch (against the $3,500 stipend) +## Space / Technical Needs -| Item | $ | +| Need | Provided by | |---|---| -| Travel (LA ↔ NYC, four days) | 700 | -| Lodging (four nights, modest) | 600 | -| Equipment shipping (laptops + printer + cards) | 350 | -| Print supplies (cardstock, newsprint zine paper, ink) for daily press runs across the fair | 800 | -| Pre-printed inventory (AC Readers, dis-order pamphlets, KidLisp reference cards) | 600 | -| Per diem / meals (four days) | 250 | -| Contingency (≈6%) | 200 | -| **Total** | **3,500** | - -If the stipend is confirmed at a different amount, the inventory and -press-run line items scale up or down first. +| Compact Project Space footprint: one table + one wall | NYABF / Printed Matter | +| Power for two laptops and printer | NYABF / Printed Matter | +| Wifi or ethernet | NYABF / Printed Matter | +| Two laptops | Artist | +| Small printer, paper, toner/ink, backup supplies | Artist | +| Wall clips / tape / display grid | Artist | +| Card stock, prompt cards, seed-program inventory | Artist | +| Staffing | Artist, with optional helper if budget allows | + +The project can scale down to a small table/wall footprint. It does not require +sound, darkened space, projection, or heavy installation. If the fair prefers a +larger footprint, the wall expands and a second writing laptop can be added. --- -## Logistics +## Budget -| Need | Provided by | -|---|---| -| Booth footprint inside the fair | Printed Matter | -| Networked thermal or laser printer | Artist (ships from LA studio) | -| Two laptops + USB drives + cables | Artist | -| Wall display strips / clips for cards | Artist | -| Pre-printed inventory for the wall + giveaway | Artist | -| Power + wifi at the booth | Printed Matter | -| Optional: small audio for the periodic press-run announcements | Artist | - -**Staffing:** Artist runs the booth solo for the duration of the fair. -If selected and budget permits, may bring one helper for the busiest -two days. +Aesthetic Inc is prepared to cover the standard Project Space fee at the +tier appropriate to the proposed footprint, plus all artist-side production, +travel, and shipping costs. No fee relief is requested. + +Estimated artist-side costs (in addition to the Project Space fee): + +| Item | Estimate | +|---|---:| +| Travel LA to NYC | $700 | +| Lodging, 4 nights | $900 | +| Local transport + meals | $400 | +| Printer + consumables + backup supplies | $650 | +| Card stock + seed-program inventory | $700 | +| Equipment shipping | $350 | +| Contingency | $300 | +| **Artist-side production total** | **$4,000** | --- -## Identity / Imprint +## Application Identity -**Apply as:** "Aesthetic Computer (Jeffrey Alan Scudder)" +Apply as: -The booth functions as an imprint, not a solo-artist showcase. The -imprint identity makes the social network and the open-source layer -legible to the fair audience. +**Aesthetic Computer / Jeffrey Alan Scudder** -(This is one of the open questions — discuss with Fia / collaborators -before submitting.) +This keeps the imprint legible while still naming the artist responsible for +the project. The Project Space should read as a small press / artist-publishing +system, not a solo booth and not a startup booth. --- -## Short Bio (~100 words) +## Short Bio -Jeffrey Alan Scudder is an artist, educator, and technologist based in -Los Angeles. He builds instruments and tools for other artists, and -keeps a live practice across performance painting, software writing, -and teaching. Yale MFA (2013), Ringling BFA (2011). Author in -Residence at UCLA Social Software with Casey Reas and Lauren Lee -McCarthy. Creator of Aesthetic Computer, Whistlegraph, and No Paint. -His open-source tools *No Paint* and *notepat* each reached the front -page of Hacker News. Work in the collections of KADIST (San Francisco) -and SMK (Copenhagen). Hosts biweekly NELA Computer Club demos at -Plot.Place, Chinatown LA. +Jeffrey Alan Scudder is an artist, educator, and technologist based in Los +Angeles. He builds instruments, publishing systems, and creative tools for +other artists. He is the creator of Aesthetic Computer, KidLisp, Whistlegraph, +No Paint, and Notepat, and is currently Artist in Residence at UCLA Social +Software, hosted by Casey Reas. His practice moves between software, +performance painting, teaching, and print. His work is in the collections of +KADIST (San Francisco) and SMK (Copenhagen), and his open-source tools have +reached broad public audiences online. --- -## Media Samples +## Media Samples To Prepare -1. Photo of the existing AC Reader (PDF cover) -2. Photo of the existing KidLisp cards in use at UCLA Social Software -3. Photo of the dis-order pamphlet -4. Short video of a visitor writing a KidLisp program → seeing it - become a permanent URL → printing the card -5. Inventory shot of the four publication formats side-by-side +1. Short screen recording: writing KidLisp → permanent URL → card render. +2. Photo of an existing KidLisp card (front + back, code + image + QR). +3. Mockup of the wall on day 1 vs day 4 (sparse vs full). +4. Photo of the writing + print station setup. +5. One installation drawing showing footprint, table, wall, and visitor flow. --- -## Source Materials Repurposed Here +## Form Copy: Tiny Version -- `papers/SCORE.md` — the papermill-as-mission frame -- `papers/cards-convert.mjs` — the actual code that turns arxiv - source into single-sheet card layout -- `papers/arxiv-kidlisp-cards/` — example cards -- `papers/reader.pdf`, `papers/reader.tex` — the AC Reader -- `gigs/dis-order-pamphlet-8.5x11-folded/` — recent printed pamphlet -- `system/public/kidlisp.com/` — the hosting layer that already runs - the URL side of this +**The AC Papermill** is a live press at NYABF. Visitors write small KidLisp +programs, receive permanent URLs, and leave with a printed card of the code +they just authored. One laptop is the writing environment; a second station +prints the edition. Each card holds an image, source code, title, and a QR +back to the live URL. A second copy of every card joins a wall that grows +across the four days into a collective edition of programs made at the fair. +The software is the press, the card is the publication, the wall is the +catalog, and visitors are the authors. --- ## Submission Checklist -- [ ] Open the Google Form, capture exact fields + word caps + stipend - amount -- [ ] Decide imprint vs. solo-artist application identity -- [ ] Source a thermal or laser printer suitable for booth use -- [ ] Pre-print enough Reader / pamphlet / card inventory before fair -- [ ] Confirm fair travel dates against other LA / NYC commitments - (SFPC visit, Oracle Egg residency window if accepted) -- [ ] Pull the visitor-flow video -- [ ] Submit before 2026-05-08 +- [ ] Open the current NYABF Project Space form while signed into Google. +- [ ] Confirm exact fields, word caps, upload requirements, and fee language. +- [ ] Decide whether the minimum Project Space fee is acceptable. +- [ ] Prepare 3-5 media samples. +- [ ] Submit before 2026-05-08. diff --git a/grants/printed-matter-project-space-2026/RESEARCH.md b/grants/printed-matter-project-space-2026/RESEARCH.md index a126311d09..3145975f75 100644 --- a/grants/printed-matter-project-space-2026/RESEARCH.md +++ b/grants/printed-matter-project-space-2026/RESEARCH.md @@ -1,76 +1,82 @@ -# NY Art Book Fair — Project Space — Research +# NY Art Book Fair 2026 — Project Space Research > **Deadline:** 2026-05-08 -> **Submit:** Project Space proposal form linked from the 2026 NYABF FAQ -> - Form (Google Forms): https://docs.google.com/forms/d/e/1FAIpQLSdgkY1vM_7eIBYN58OfjptF8HQlPwIioX6Zvst-Mccg1RWBVw/viewform?usp=dialog -> - FAQ: https://printedmatterartbookfairs.org/faq -> - Financial support page: https://printedmatterartbookfairs.org/are-there-opportunities-for-financial-support -> **Amount:** $3,500 stipend (per JS — confirmed source). The publicly-listed -> awards in the financial-support FAQ are separate tracks (Shannon Cane, -> Volume Grant, Jason Polan); the Project Space stipend is documented in the -> proposal form itself. +> **Fair:** NY Art Book Fair, 2026-09-24 to 2026-09-27, MoMA PS1 +> **Current NYABF Project Space form:** https://docs.google.com/forms/d/e/1FAIpQLScDtI_I_G14OaskSkkC8-c_3tK8wDerUrp2gPS8H3ypbuwG8w/viewform?usp=dialog +> **FAQ:** https://printedmatterartbookfairs.org/faq +> **Financial support page:** https://printedmatterartbookfairs.org/are-there-opportunities-for-financial-support + +## Important correction + +The previously saved Google Form link +`1FAIpQLSdgkY1vM_7eIBYN58OfjptF8HQlPwIioX6Zvst-Mccg1RWBVw` is for **LAABF +2026 Project Space Proposal** and is closed. Do not use it. + +The Printed Matter homepage currently links the NYABF Project Space proposal to +`1FAIpQLScDtI_I_G14OaskSkkC8-c_3tK8wDerUrp2gPS8H3ypbuwG8w`, due May 8. +That form requires sign-in / cookie access, so exact fields still need to be +captured manually in-browser. + +## Money / fee note + +The Project Space is **fee-bearing**, not a stipend. Public form/page text: + +- Project Spaces are curated publication-focused exhibitions in larger, + sometimes site-specific areas in the Fair. +- Fees are tiered by proposal and available space, **starting at $4,500**. +- Project Spaces are spotlighted across Fair promotional materials. + +**Posture (2026-05-07):** Aesthetic Inc covers the Project Space fee directly. +The proposal goes in as a paid Project Space, not a fee-relief request. This +unblocks the application without depending on Printed Matter to underwrite. + +Separate NYABF financial-support tracks (not Project Space underwriting): + +- Shannon Michael Cane Award: four first-time exhibitors, table + **$1,000**. +- Volume Grant: four BIPOC artists/publishers, table + **$1,000**. +- Jason Polan Award: two NYABF exhibitors, **$2,500** during the fair. ## What is a Project Space? -From the FAQ: Project Spaces are "expanded presentations of books, prints, and -ephemera" that go beyond the standard exhibitor table format. They are -programmed presentations within the fair — installations, performances, -demonstrations — that frame a publication or printed-matter practice rather -than just selling it from a table. +Project Spaces are expanded presentations of books, prints, and ephemera. They +go beyond a standard table and can include installations, performances, +demonstrations, archival presentations, and workshops. They should frame a +publication or printed-matter practice rather than simply sell finished +inventory. ## Why AC fits -- AC has a real artbook-adjacent practice: **the AC Reader** - (`papers/reader.pdf`), **the Cards** (`papers/arxiv-kidlisp-cards/`), the - printed pamphlet at `gigs/dis-order-pamphlet-8.5x11-folded/`, and the body of - arxiv papers across `papers/arxiv-*/`. The papermill literally exists to - press AC ideas into printable form. -- A Project Space lets us show the **printing pipeline as a living instrument** - rather than a stack of finished products: visitors interact with KidLisp, - the system prints a card, the card goes home with them. -- This connects the "papermill" metaphor in `papers/SCORE.md` to a public - performance of publishing. - -## Suggested angle - -**"The AC Papermill, Live."** A Project Space where: -1. A laptop runs a KidLisp performance (the live source of the cards). -2. A networked print station produces single-sheet KidLisp cards on demand, - one per visitor. -3. A small library of arxiv-AC papers is displayed and free to take. -4. Optional Flash Day mini-segment: visitors can flash a USB with AC Native OS. - -The Project Space proposal should foreground the **publication artifact** (the -cards, the reader) as the cultural object, not the software. Printed Matter is -about the printed thing. - -## Open questions for the user - -- Do you want to apply as **Aesthetic Computer** (org) or **Jeffrey Alan - Scudder** (artist)? Project Space framing usually favors a project/imprint - identity. -- Travel/logistics: NYABF is in NYC. If selected, who travels, who runs the - print station, what equipment ships? +- AC has a real artbook-adjacent practice: the AC Reader, the papers platter, + KidLisp cards, pamphlets, and paper/card conversion tooling. +- The strongest angle is not "software demo." It is **the press as a live + instrument**. +- Printed Matter cares about the printed thing. The software should be framed + as the press machinery that creates the printed card, not as the main object. +- The visitor leaves with a publication they helped author. -## Source materials in repo +## Best project angle -- `papers/SCORE.md` — papermill mission frame -- `papers/cards-convert.mjs` — actual card builder -- `papers/arxiv-kidlisp-cards/` — example cards already produced -- `papers/reader.pdf`, `papers/reader.tex` — the AC Reader -- `gigs/dis-order-pamphlet-8.5x11-folded/` — recent printed pamphlet +**The AC Papermill**: a compact Project Space where visitors write small +KidLisp programs, receive permanent URLs, and print those programs as cards. -## Sources +The wall grows during the fair as a public archive of visitor-authored +program-cards. Periodically, the artist gathers the day's cards into a small +zine or wall sheet. -- [NYABF FAQ](https://printedmatterartbookfairs.org/faq) -- [Financial support page](https://printedmatterartbookfairs.org/are-there-opportunities-for-financial-support) -- [Submission Manager](https://printedmatterinc.submittable.com/submit) -- [Project Space proposal form](https://docs.google.com/forms/d/e/1FAIpQLSdgkY1vM_7eIBYN58OfjptF8HQlPwIioX6Zvst-Mccg1RWBVw/viewform?usp=dialog) +## Source materials in repo + +- `papers/SCORE.md` — papermill mission frame +- `papers/cards-convert.mjs` — card builder +- `papers/arxiv-kidlisp-cards/` — example cards +- `papers/reader.pdf`, `papers/reader.tex` — AC Reader +- `gigs/dis-order-pamphlet-8.5x11-folded/` — recent pamphlet +- `system/public/kidlisp.com/` — live URL/program layer ## Next steps -1. Open the Google Form and screenshot/save the actual fields, including the - stipend amount. -2. Decide: apply as imprint or artist. -3. Draft a 1-page Project Space pitch focused on the *printed* output (cards + - reader), not the software underneath. +1. Open the current NYABF form while signed into Google and capture exact + fields. +2. Trim the public HTML preview's copy to the form's word caps; paste in. +3. Prepare media samples: papermill in operation, sample answer card, wall + archive mockup. +4. Submit before 2026-05-08. diff --git a/system/public/papers.aesthetic.computer/deadlines/index.html b/system/public/papers.aesthetic.computer/deadlines/index.html index 277cce63ad..eda8f680d9 100644 --- a/system/public/papers.aesthetic.computer/deadlines/index.html +++ b/system/public/papers.aesthetic.computer/deadlines/index.html @@ -202,6 +202,24 @@ } .row .notes .draft-link:hover { text-decoration: underline; } + .row .notes .proposal-link { + display: inline-block; + padding: 0.05em 0.55em; + border-radius: 3px; + font-size: 0.95em; + margin-right: 0.4em; + background: var(--pink); + color: var(--bg); + border: 1px solid var(--pink); + text-decoration: none; + font-weight: 500; + } + .row .notes .proposal-link:hover { + background: transparent; + color: var(--pink); + text-decoration: none; + } + .review-banner { margin: 0.6em 0 1.4em; padding: 0.5em 0.8em; @@ -334,16 +352,18 @@ notes: '€1,500–€7,000 grant + mentoring + online exhibition. Critical approaches to internet protocols, infrastructures, governance, archives, and user agency on networked technologies — not "old internet" nostalgia.', }, { - section: 'open', + section: 'active', venue: 'Printed Matter — NY Art Book Fair', venueUrl: 'https://www.printedmatter.org/opencall', - track: 'Project Space (Fia, unverified)', + track: 'Project Space (Fia)', deadline: '2026-05-08', - conference: 'NYABF 2026, MoMA PS1', - status: 'verify', - statusLabel: 'Verify', + conference: 'NYABF 2026, MoMA PS1, Sep 24–27', + status: 'go', + statusLabel: 'Active', + proposalUrl: 'https://aesthetic.computer/printed-matter-2026', + proposalLabel: 'The AC Papermill, Asked Live', draftPath: 'printed-matter-project-space-2026/DRAFT.md', - notes: 'Fia flagged a Project Space track with a $3,500 grant and May 8 deadline. Public NYABF table/project-space application closed Mar 30 — confirm whether this is a separate program (DM Printed Matter or check Fia\'s source) before drafting.', + notes: 'A reference desk at NYABF where visitors query the 137 MB platter and walk away with a footnoted answer card. Project Space fee covered by Aesthetic Inc; self-funded application, not a fee-relief request.', }, { section: 'open', @@ -359,17 +379,19 @@ notes: '3–7 days unrestricted access to a 3,000 sq ft loft, high-quality documentation, culminating in a public ticketed performance. For ambitious sound and performance work; priority to projects in early development.', }, { - section: 'open', - venue: 'CultureHub', + section: 'active', + venue: 'CultureHub @ La MaMa', venueUrl: 'https://www.culturehub.org/residency', - track: 'LA Residency (Fia)', + track: 'NYC Residency (Fia)', deadline: '2026-05-20', deadlineExtra: '23:59 PT', - conference: 'CultureHub LA', - status: 'candidate', - statusLabel: 'Candidate', - draftPath: 'culturehub-la-2026/DRAFT.md', - notes: '1–2 week residency with reconfigurable lighting/audio/video/projection, technical support, $2,000 stipend, marketing, documentation, and a culminating public presentation. LA-based artists; emerging tech focus (VR, AI, robotics, creative coding, telepresence). NY hybrid track also available.', + conference: 'CultureHub at La MaMa, NYC', + status: 'go', + statusLabel: 'Active', + proposalUrl: 'https://aesthetic.computer/culture-hub-2026', + proposalLabel: 'Menuband Jam · NELA Computer Club', + draftPath: 'culturehub-2026/DRAFT.md', + notes: '1–2 week residency with reconfigurable lighting/audio/video/projection, technical support, $2,000 stipend, marketing, documentation, and a culminating public presentation. Bringing six NELA Computer Club players to NYC for a Menuband Jam.', }, { section: 'open', @@ -550,6 +572,7 @@ // ===== RENDER ===== const SECTIONS = [ + { id: 'active', title: 'Active proposals', color: 'cyan', blurb: 'Live public previews. Going to submit.' }, { id: 'verify', title: 'Verify submission', color: 'red', blurb: 'Deadline already passed; draft was ready but submission status is unconfirmed.' }, { id: 'open', title: 'Open windows', color: 'pink', blurb: 'Sorted by closest deadline first.' }, { id: 'rolling', title: 'Rolling', color: 'cyan', blurb: 'Submit any time.' }, @@ -595,13 +618,14 @@ const root = document.getElementById('sections'); // Sort within sections + const active = DEADLINES.filter(d => d.section === 'active').sort((a, b) => a.deadline.localeCompare(b.deadline)); const open = DEADLINES.filter(d => d.section === 'open').sort((a, b) => a.deadline.localeCompare(b.deadline)); const passed = DEADLINES.filter(d => d.section === 'passed').sort((a, b) => b.deadline.localeCompare(a.deadline)); const verify = DEADLINES.filter(d => d.section === 'verify').sort((a, b) => a.deadline.localeCompare(b.deadline)); const rolling = DEADLINES.filter(d => d.section === 'rolling'); const funding = DEADLINES.filter(d => d.section === 'funding'); - const bySection = { verify, open, rolling, funding, passed }; + const bySection = { active, verify, open, rolling, funding, passed }; for (const sec of SECTIONS) { const items = bySection[sec.id] || []; @@ -651,12 +675,16 @@ ? `📝 review draft` : ''; - const hasNotes = item.notes || statusBadge || draftLink; + const proposalLink = item.proposalUrl + ? `▸ ${item.proposalLabel || 'view proposal'}` + : ''; + + const hasNotes = item.notes || statusBadge || draftLink || proposalLink; row.innerHTML = `
${venueText}${trackText}
${dateBlock}
${cd.label}
- ${hasNotes ? `
${statusBadge}${draftLink}${item.notes || ''}
` : ''} + ${hasNotes ? `
${statusBadge}${proposalLink}${draftLink}${item.notes || ''}
` : ''} `; return row; } diff --git a/system/public/papers.aesthetic.computer/index.html b/system/public/papers.aesthetic.computer/index.html index 4ad4551f38..79fdadfdd9 100644 --- a/system/public/papers.aesthetic.computer/index.html +++ b/system/public/papers.aesthetic.computer/index.html @@ -165,6 +165,75 @@ .sub { color: var(--dim); font-size: 0.8em; margin-bottom: 0.6em; } .sub a { color: var(--cyan); text-decoration: none; } + /* Active proposals — pinned strip at top of papers index */ + .active-proposals { + margin: 0.4em 0 1.2em; + padding: 0.7em 0.85em 0.85em; + border: 1px solid var(--box-border); + border-left: 3px solid var(--pink); + border-radius: 4px; + background: var(--box-bg); + } + .ap-header { + display: flex; align-items: baseline; justify-content: space-between; + margin-bottom: 0.55em; + font-size: 0.75em; + } + .ap-eyebrow { + color: var(--pink); + text-transform: uppercase; + letter-spacing: 0.1em; + font-weight: 600; + } + .ap-all { color: var(--dim); text-decoration: none; } + .ap-all:hover { color: var(--cyan); } + .ap-list { + display: grid; + grid-template-columns: repeat(auto-fit, minmax(280px, 1fr)); + gap: 0.45em; + } + .ap-card { + display: block; + padding: 0.55em 0.7em; + background: var(--bg); + border: 1px solid var(--box-border); + border-radius: 3px; + text-decoration: none; + transition: border-color 0.15s, transform 0.15s; + } + .ap-card:hover { + border-color: var(--pink); + transform: translateY(-1px); + } + .ap-card .ap-title { + font-family: 'YWFTProcessing-Regular', 'Berkeley Mono Variable', monospace; + color: var(--text); + font-size: 1.05em; + line-height: 1.2; + margin-bottom: 0.15em; + } + .ap-card .ap-venue { + color: var(--dim); + font-size: 0.78em; + line-height: 1.3; + } + .ap-card .ap-meta { + display: flex; gap: 0.5em; align-items: center; + margin-top: 0.4em; + font-size: 0.72em; + font-variant-numeric: tabular-nums; + } + .ap-card .ap-countdown { + padding: 0.05em 0.4em; + border: 1px solid var(--box-border); + border-radius: 10px; + color: var(--dim); + } + .ap-card .ap-countdown.urgent { color: var(--pink); border-color: var(--pink); } + .ap-card .ap-countdown.soon { color: var(--purple); border-color: var(--purple); } + .ap-card .ap-countdown.ok { color: var(--cyan); border-color: var(--cyan); } + .ap-card .ap-deadline { color: var(--dim); } + /* Sort bar */ .sort-bar { display: flex; @@ -549,6 +618,15 @@
@jeffrey · ORCID 0009-0007-4460-4913
+ +
+
+ Active proposals + all deadlines → +
+
+
+
@@ -854,14 +932,22 @@ const reduced = window.matchMedia('(prefers-reduced-motion: reduce)').matches; // focal: normalized (0-1) image-space anchor that stays centered on screen - // v5 = library reading room — six jeffreys at oak table, faces band mid-frame + // v5 = library reading room — six AC freaks at oak table, faces band mid-frame // v6 = town-square news stand — kiosk handoff left-of-center, steps reader right - // v7 = cafe reading circle — six jeffreys at far side of long communal table - // pan.s = zoom multiplier on top of contain baseline (1.0 = full image visible) + // v7 = elementary classroom — kids + teacher around the music room + // v8 = field jam session — meadow horseshoe with notepats + papers + // w1 = portrait: kid hands jeffrey a paper they wrote (faces upper-mid) + // w2 = portrait: mid-life pro shows jeffrey her Surface (faces upper-mid) + // w3 = portrait: elder shows jeffrey her PowerBook on the porch + // pan.s = zoom multiplier on top of cover baseline (1.0 = bare cover) const SLIDES = [ { src: '/papers-header-v5.png', focal: { x: 0.50, y: 0.45 }, pan: { from: { s: 1.00, x: 0, y: 0 }, to: { s: 1.08, x: -0.01, y: 0.01 } } }, + { src: '/papers-header-w1.png', focal: { x: 0.50, y: 0.38 }, pan: { from: { s: 1.04, x: 0, y: 0 }, to: { s: 1.10, x: 0.01, y: 0.01 } } }, { src: '/papers-header-v6.png', focal: { x: 0.45, y: 0.50 }, pan: { from: { s: 1.06, x: 0, y: 0 }, to: { s: 1.00, x: 0.02, y: -0.01 } } }, + { src: '/papers-header-w2.png', focal: { x: 0.50, y: 0.38 }, pan: { from: { s: 1.00, x: 0, y: 0 }, to: { s: 1.08, x: -0.01, y: 0.01 } } }, { src: '/papers-header-v7.png', focal: { x: 0.50, y: 0.42 }, pan: { from: { s: 1.04, x: 0, y: 0 }, to: { s: 1.10, x: -0.01, y: 0.01 } } }, + { src: '/papers-header-w3.png', focal: { x: 0.50, y: 0.40 }, pan: { from: { s: 1.06, x: 0, y: 0 }, to: { s: 1.00, x: 0.01, y: -0.01 } } }, + { src: '/papers-header-v8.png', focal: { x: 0.50, y: 0.55 }, pan: { from: { s: 1.00, x: 0, y: 0 }, to: { s: 1.10, x: 0.00, y: -0.02 } } }, ]; const SLIDE_DUR = 7000; const FADE_DUR = 1800; @@ -895,18 +981,31 @@ // Cover-fill the canvas with a single image; focal anchor keeps // the subject centered as the slow Ken Burns pan zooms in/out. + // + // Coverage invariant: the canvas must NEVER show empty margin on + // any edge, even at the wide end of the pan. Two guarantees: + // 1. baseScale carries 5% overscan so sc=1.0 + small translate + // still has room before the image edge clears the canvas. + // 2. dx/dy are clamped so a stray translate value can never + // shift the image past a canvas edge. + const COVER_OVERSCAN = 1.05; function drawSlide(img, focal, pan, progress, alpha) { if (!img.complete || !img.naturalWidth) return; const t = easeInOutSine(progress); const sc = pan.from.s + (pan.to.s - pan.from.s) * t; const tx = pan.from.x + (pan.to.x - pan.from.x) * t; const ty = pan.from.y + (pan.to.y - pan.from.y) * t; - const baseScale = Math.max(cssW / img.naturalWidth, cssH / img.naturalHeight); + const baseScale = Math.max(cssW / img.naturalWidth, cssH / img.naturalHeight) * COVER_OVERSCAN; const scale = baseScale * sc; const dw = img.naturalWidth * scale; const dh = img.naturalHeight * scale; - const dx = (cssW / 2) - (img.naturalWidth * focal.x * scale) + tx * cssW; - const dy = (cssH / 2) - (img.naturalHeight * focal.y * scale) + ty * cssH; + let dx = (cssW / 2) - (img.naturalWidth * focal.x * scale) + tx * cssW; + let dy = (cssH / 2) - (img.naturalHeight * focal.y * scale) + ty * cssH; + // Clamp so the image always covers the entire canvas. dw/dh + // are guaranteed >= cssW/cssH because baseScale is the cover + // fit times 1.05, so the clamp range is non-empty. + dx = Math.min(0, Math.max(cssW - dw, dx)); + dy = Math.min(0, Math.max(cssH - dh, dy)); ctx.save(); ctx.globalAlpha = alpha; ctx.drawImage(img, dx, dy, dw, dh); @@ -1399,6 +1498,55 @@ else if (r.classList.contains('dark-mode')) { r.classList.replace('dark-mode', 'light-mode'); } else { r.classList.add(matchMedia('(prefers-color-scheme:dark)').matches ? 'light-mode' : 'dark-mode'); } } + + // Active proposals — pinned strip at top of papers index. + // Mirror of the active section in /deadlines, sorted by closest deadline. + const ACTIVE_PROPOSALS = [ + { + title: 'The AC Papermill, Asked Live', + venue: 'Printed Matter — NY Art Book Fair · Project Space', + deadline: '2026-05-08', + url: 'https://aesthetic.computer/printed-matter-2026', + }, + { + title: 'Menuband Jam · NELA Computer Club', + venue: 'CultureHub @ La MaMa · NYC Residency', + deadline: '2026-05-20', + url: 'https://aesthetic.computer/culture-hub-2026', + }, + ]; + + (function renderActiveProposals() { + const list = document.getElementById('apList'); + const container = document.getElementById('activeProposals'); + if (!list || !container) return; + + const today = new Date(); today.setHours(0, 0, 0, 0); + const items = ACTIVE_PROPOSALS + .map(p => ({ ...p, target: new Date(p.deadline + 'T23:59:59Z') })) + .filter(p => p.target.getTime() >= today.getTime() - 86400000) + .sort((a, b) => a.target - b.target); + + if (items.length === 0) { container.style.display = 'none'; return; } + + list.innerHTML = items.map(p => { + const days = Math.round((p.target - today) / 86400000); + let cls = 'ok', label = `${days}d`; + if (days < 0) { cls = 'passed'; label = `${-days}d ago`; } + else if (days === 0) { cls = 'urgent'; label = 'today'; } + else if (days <= 7) { cls = 'urgent'; label = `${days}d`; } + else if (days <= 30) { cls = 'soon'; label = `${days}d`; } + const dateStr = p.target.toLocaleDateString('en-US', { month: 'short', day: 'numeric', timeZone: 'UTC' }); + return ` +
${p.title}
+
${p.venue}
+
+ ${label} + due ${dateStr} +
+ `; + }).join(''); + })(); diff --git a/system/public/printed-matter-2026/index.html b/system/public/printed-matter-2026/index.html index a0ad976fe8..ed7626f064 100644 --- a/system/public/printed-matter-2026/index.html +++ b/system/public/printed-matter-2026/index.html @@ -3,8 +3,8 @@ -The AC Papermill · A New-Media Expert System, Live · NYABF Project Space 2026 · WIP DRAFT - +The AC Papermill · A New-Media Expert System, Live · NYABF Project Space 2026 +