\n`;
+ // Wrap a category's cards in a labeled . `count` is the number
+ // of cards; `nosort`/extra modifiers control the client-side sort.
+ function renderSection({ key, title, sub, nosort }, cardsHtml, count, archive = false) {
+ if (!cardsHtml) return "";
+ const cls = `cat${archive ? " cat--archive" : ""}`;
+ const nosortAttr = nosort || archive ? " data-nosort" : "";
+ return `
+
+
${title};${count}
+
${sub}
+
+${cardsHtml}
+ \n`;
+ }
+
+ // Bucket every listed paper into exactly one category; archived papers
+ // are pulled out to their own quiet section at the bottom.
+ const buckets = {};
+ for (const c of CATEGORIES) buckets[c.key] = [];
+ const archived = [];
+ for (const p of papers) {
+ if (p.hidden) continue; // built + tracked, but not listed publicly
+ if (ARCHIVE_DIRS.has(p.dir)) {
+ archived.push({ ...p, deprecated: true, psycho: false });
+ continue;
}
+ buckets[categoryOf(p.dir)].push(p);
}
+ // Dossiers keep their curated order; other lanes keep importance rank.
+ buckets.dossiers.sort((a, b) => dossierRank(a.dir) - dossierRank(b.dir));
- // Read current index, replace paper entries between markers
- let html = readFileSync(indexPath, "utf8");
+ const uncategorized = papers.filter(
+ (p) => !p.hidden && !ARCHIVE_DIRS.has(p.dir) && !CATEGORY_OF[p.dir],
+ );
+ if (uncategorized.length) {
+ console.log(
+ ` WARN ${uncategorized.length} uncategorized paper(s) → essays: ${uncategorized.map((p) => p.dir).join(", ")}`,
+ );
+ }
- // Replace everything between the sub line and the footer
+ // Build the full categorized block (all sections, in page order).
+ let papersHtml = "";
+ for (const c of CATEGORIES) {
+ if (c.key === "software") {
+ const cards = extras.map(renderExtra).join("");
+ papersHtml += renderSection(c, cards, extras.length);
+ } else {
+ const list = buckets[c.key];
+ papersHtml += renderSection(c, list.map(renderPaper).join(""), list.length);
+ }
+ }
+ if (archived.length) {
+ papersHtml += renderSection(
+ {
+ key: "archive",
+ title: "archive",
+ sub: "deprecated — kept for the record, no longer actively maintained.",
+ },
+ archived.map(renderPaper).join(""),
+ archived.length,
+ true,
+ );
+ }
+
+ // Read current index, replace the categorized block between markers.
+ let html = readFileSync(indexPath, "utf8");
const startMarker = "";
const endMarker = "";
@@ -1055,29 +1169,13 @@ function updateIndex(entries) {
}
}
- // Replace dossier entries between dossiers markers (own container so
- // the client-side sort, which reorders only the first .p's parent,
- // never scrambles this section).
- const dossStart = "";
- const dossEnd = "";
- if (html.includes(dossStart)) {
- const dBefore = html.slice(0, html.indexOf(dossStart) + dossStart.length);
- const dAfter = html.slice(html.indexOf(dossEnd));
- html = dBefore + "\n" + dossiersHtml + "\n " + dAfter;
- }
-
- // Replace guest papers between guest markers
- const guestStart = "";
- const guestEnd = "";
- if (guestHtml && html.includes(guestStart)) {
- const gBefore = html.slice(0, html.indexOf(guestStart) + guestStart.length);
- const gAfter = html.slice(html.indexOf(guestEnd));
- html = gBefore + "\n" + guestHtml + "\n " + gAfter;
- }
-
writeFileSync(indexPath, html);
- const guestCount = guestPdfs.filter(g => existsSync(join(SITE_DIR, g.file))).length;
- console.log(` INDEX updated with ${papers.length + extras.length} papers + ${guestCount} guest papers.`);
+ const sectionCounts = CATEGORIES.map((c) =>
+ c.key === "software" ? `${c.key} ${extras.length}` : `${c.key} ${buckets[c.key].length}`,
+ ).join(", ");
+ console.log(
+ ` INDEX updated: ${papers.length + extras.length} papers across ${CATEGORIES.length} categories (${sectionCounts}${archived.length ? `, archive ${archived.length}` : ""}).`,
+ );
writeFeed(papers, extras, PAPER_COPY);
}
diff --git a/system/public/papers.aesthetic.computer/feed.xml b/system/public/papers.aesthetic.computer/feed.xml
index 48ff370672..d59db02b57 100644
--- a/system/public/papers.aesthetic.computer/feed.xml
+++ b/system/public/papers.aesthetic.computer/feed.xml
@@ -5,7 +5,7 @@
https://papers.aesthetic.computer/
- 2026-05-23T15:45:51.978Z
+ 2026-05-23T15:53:13.635Z@jeffreyhttps://orcid.org/0009-0007-4460-4913
@@ -13,180 +13,78 @@
https://papers.aesthetic.computer/papers-og.jpgCC BY 4.0 unless noted otherwise.
- Aesthetic Computer '26
-
- https://papers.aesthetic.computer/aesthetic-computer-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Mobile-First Runtime for Creative Computing · arXiv 5pp — Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.
-
-
- KidLisp '26
-
- https://papers.aesthetic.computer/kidlisp-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Minimal Lisp for Generative Art on a Social Platform · arXiv 6pp — KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.
-
-
- PLOrk'ing the Planet
-
- https://papers.aesthetic.computer/plorking-the-planet-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv — This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.
-
-
- AC Native OS
-
- https://papers.aesthetic.computer/ac-native-os-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Bare-Metal Creative Computing Operating System · arXiv 5pp — AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.
-
-
- From setup() to boot()
-
- https://papers.aesthetic.computer/piece-api-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
+ Jeffrey Alan Scudder — CV
+
+ https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf
+ 2026-05-23T15:53:13.635Z@jeffrey
- Processing at the Core of the Piece API · arXiv 7pp — The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.
- Who Pays for Creative Tools?
-
- https://papers.aesthetic.computer/who-pays-for-creative-tools-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-27T00:00:00.000Z
+ Creative Time — A Dossier
+
+ https://papers.aesthetic.computer/creative-time-dossier-26-arxiv.pdf
+ 2026-05-18T13:34:03.454Z
+ 2026-05-18T00:00:00.000Z@jeffrey
- Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp — A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
+ 501(c)(3) public-art commissioner · IRS 990 pipeline · arXiv — What is publicly recoverable about Creative Time, the New York public-art nonprofit (1974–): structure, programs, people, and money from the IRS 990 series and its program archive. Scaffold revision — figures pending the data pass; fact-surfacing, not argument.
- Pieces Not Programs
-
- https://papers.aesthetic.computer/pieces-not-programs-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
+ Creative Capital — A Dossier
+
+ https://papers.aesthetic.computer/creative-capital-dossier-26-arxiv.pdf
+ 2026-05-18T13:34:03.454Z
+ 2026-05-18T00:00:00.000Z@jeffrey
- The Piece as a Unit of Creative Cognition · arXiv 4pp — A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.
+ 501(c)(3) artist-grant funder · 990 + grantee record · arXiv — What is publicly recoverable about Creative Capital, the New York nonprofit (1999–) that regrants to individual artists: structure, the award, people, and money from the IRS 990 series and the public grantee record. Scaffold revision — figures pending; fact-surfacing, not argument.
- notepat.com
-
- https://papers.aesthetic.computer/notepat-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ PLOrk'ing the Planet
+
+ https://papers.aesthetic.computer/plorking-the-planet-26-arxiv.pdf
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
- From Keyboard Toy to System Front Door · arXiv 5pp — notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.
+ Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv — This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.Radical Computer Arthttps://papers.aesthetic.computer/radical-computer-art-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyGoodiepalian Approaches in Aesthetic Computer · arXiv 5pp — This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.
-
- Whistlegraph
-
- https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
- Sucking on the Complexhttps://papers.aesthetic.computer/sucking-on-the-complex-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyPlatform Hegemony, Critique-as-Content, and Anti-Environments · arXiv 5pp — Sucking on the Complex critiques platform hegemony and the way critique becomes content. It looks for anti-environments that stay messy, resistant, and alive.
-
- Vestigial Features
-
- https://papers.aesthetic.computer/dead-ends-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp — The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
- Playable Folk Songshttps://papers.aesthetic.computer/folk-songs-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyOral Tradition Meets the Browser Keyboard · arXiv — Playable Folk Songs brings oral tradition into the browser keyboard. The paper asks how simple interaction can carry collective memory and repetition.
-
- Repository Archaeology
-
- https://papers.aesthetic.computer/repo-archaeology-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline — Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
-
-
- Network Audit
-
- https://papers.aesthetic.computer/network-audit-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Who Uses Aesthetic Computer and What Do They Make? · arXiv 4pp — Network Audit asks who uses Aesthetic Computer and what they make with it. The paper turns usage patterns into a portrait of a community in motion.
-
-
- KidLisp Language Reference
-
- https://papers.aesthetic.computer/kidlisp-reference-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- 118 Built-ins in 12 Categories · arXiv 4pp — The KidLisp reference compresses the language into a usable field guide. It groups 118 built-ins into 12 categories for quick browsing and recall.
-
-
- Citation Diversity Audit
-
- https://papers.aesthetic.computer/citation-diversity-audit-26.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Diversity and Inclusion in AC Paper Citations · 4pp — Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.
- Get Closed Source Out of Schoolshttps://papers.aesthetic.computer/open-schools-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-20T00:00:00.000Z@jeffrey
@@ -196,7 +94,7 @@
Five Years from Nowhttps://papers.aesthetic.computer/five-years-from-now-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-20T00:00:00.000Z@jeffrey
@@ -206,7 +104,7 @@
CalArts, Callouts, and Papershttps://papers.aesthetic.computer/calarts-callouts-papers-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -216,7 +114,7 @@
Handle Identity on the AT Protocolhttps://papers.aesthetic.computer/handle-identity-atproto-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-27T00:00:00.000Z@jeffrey
@@ -226,7 +124,7 @@
Two Departments, One Buildinghttps://papers.aesthetic.computer/ucla-arts-funding-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-27T00:00:00.000Z@jeffrey
@@ -236,7 +134,7 @@
The Potter and the Prompthttps://papers.aesthetic.computer/potter-and-prompt-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-05T00:00:00.000Z@jeffrey
@@ -246,7 +144,7 @@
Keymaps as Social Softwarehttps://papers.aesthetic.computer/keymaps-social-software-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -255,7 +153,7 @@
KidLisp Cardshttps://papers.aesthetic.computer/kidlisp-cards-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -265,7 +163,7 @@
Reading the Scorehttps://papers.aesthetic.computer/reading-the-score-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -275,7 +173,7 @@
The URL Traditionhttps://papers.aesthetic.computer/url-tradition-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-27T00:00:00.000Z@jeffrey
@@ -285,7 +183,7 @@
Where the Microseconds Gohttps://papers.aesthetic.computer/where-the-microseconds-go-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-26T00:00:00.000Z@jeffrey
@@ -294,25 +192,16 @@
Diagrams from Datahttps://papers.aesthetic.computer/diagrams-from-data-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-28T00:00:00.000Z@jeffrey
-
- Jeffrey Alan Scudder — CV
-
- https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-23T00:00:00.000Z
-
- @jeffrey
- Rhizome.org — A Dossierhttps://papers.aesthetic.computer/rhizome-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -322,7 +211,7 @@
School for Poetic Computation — A Dossierhttps://papers.aesthetic.computer/sfpc-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -332,27 +221,17 @@
Eyebeam — A Dossierhttps://papers.aesthetic.computer/eyebeam-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey501(c)(3) art-and-technology recipient · IRS 990 pipeline · arXiv — What is publicly recoverable about Eyebeam: financials, governance, residencies, and named grants pulled from IRS 990 XML. The dossier surfaces the record without interpreting it.
-
- Recurse Center — A Dossier
-
- https://papers.aesthetic.computer/recurse-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-02T00:00:00.000Z
-
- @jeffrey
- Recurse Center · for-profit, recruiting-funded model · arXiv — What is publicly recoverable about the Recurse Center: a for-profit programmers' retreat funded by a recruiting model, read through founder interviews and public statements. Fact-surfacing, not argument.
- Internet Archive — A Dossierhttps://papers.aesthetic.computer/internet-archive-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -362,7 +241,7 @@
Mellon Foundation — A Dossierhttps://papers.aesthetic.computer/mellon-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -372,7 +251,7 @@
Pioneer Works — A Dossierhttps://papers.aesthetic.computer/pioneer-works-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -382,7 +261,7 @@
A Fraserin' Art + Techhttps://papers.aesthetic.computer/fraserin-essay-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -391,7 +270,7 @@
Comp Stratshttps://papers.aesthetic.computer/comp-strats-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-03T00:00:00.000Z@jeffrey
@@ -400,7 +279,7 @@
MicroVision — A Dossierhttps://papers.aesthetic.computer/microvision-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-04T00:00:00.000Z@jeffrey
@@ -410,7 +289,7 @@
What's New CalArts!? — A Dossierhttps://papers.aesthetic.computer/whats-new-calarts-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -420,7 +299,7 @@
NEW INC — A Dossierhttps://papers.aesthetic.computer/new-inc-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -430,7 +309,7 @@
Studio Museum in Harlem — A Dossierhttps://papers.aesthetic.computer/studio-museum-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -440,7 +319,7 @@
HathiTrust — A Dossierhttps://papers.aesthetic.computer/hathitrust-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -450,7 +329,7 @@
The Kitchen — A Dossierhttps://papers.aesthetic.computer/the-kitchen-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -460,7 +339,7 @@
Machine Project — A Dossierhttps://papers.aesthetic.computer/machine-project-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -470,57 +349,177 @@
Heavy Manners Library — A Dossierhttps://papers.aesthetic.computer/heavy-manners-library-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffreySmall space · status undisclosed · arXiv — What is publicly recoverable about Heavy Manners Library: a small space whose legal status is undisclosed, surfaced through what little public record exists. The dossier records the gaps as part of the record.
- Creative Time — A Dossier
-
- https://papers.aesthetic.computer/creative-time-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-18T00:00:00.000Z
+ Whistlegraph
+
+ https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf
+ 2026-05-14T22:33:52.895Z
+ 2026-03-21T00:00:00.000Z@jeffrey
- 501(c)(3) public-art commissioner · IRS 990 pipeline · arXiv — What is publicly recoverable about Creative Time, the New York public-art nonprofit (1974–): structure, programs, people, and money from the IRS 990 series and its program archive. Scaffold revision — figures pending the data pass; fact-surfacing, not argument.
+ Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
- Creative Capital — A Dossier
-
- https://papers.aesthetic.computer/creative-capital-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-18T00:00:00.000Z
+ Aesthetic Computer '26
+
+ https://papers.aesthetic.computer/aesthetic-computer-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z@jeffrey
- 501(c)(3) artist-grant funder · 990 + grantee record · arXiv — What is publicly recoverable about Creative Capital, the New York nonprofit (1999–) that regrants to individual artists: structure, the award, people, and money from the IRS 990 series and the public grantee record. Scaffold revision — figures pending; fact-surfacing, not argument.
+ A Mobile-First Runtime for Creative Computing · arXiv 5pp — Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.
- KidLisp (ELS 2026)
-
- https://papers.aesthetic.computer/kidlisp-els-2026.pdf
- 2026-05-02T22:01:58.776Z
-
+ KidLisp '26
+
+ https://papers.aesthetic.computer/kidlisp-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+ @jeffrey
- A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
+ A Minimal Lisp for Generative Art on a Social Platform · arXiv 6pp — KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.
- KidLisp '26
-
- https://papers.aesthetic.computer/kidlisp-26-joss.pdf
- 2026-05-02T22:01:58.755Z
-
+ AC Native OS
+
+ https://papers.aesthetic.computer/ac-native-os-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+ @jeffrey
- JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.
+ A Bare-Metal Creative Computing Operating System · arXiv 5pp — AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.
+
+
+ From setup() to boot()
+
+ https://papers.aesthetic.computer/piece-api-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Processing at the Core of the Piece API · arXiv 7pp — The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.
+
+
+ Who Pays for Creative Tools?
+
+ https://papers.aesthetic.computer/who-pays-for-creative-tools-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-27T00:00:00.000Z
+
+ @jeffrey
+ Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp — A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
+
+
+ Pieces Not Programs
+
+ https://papers.aesthetic.computer/pieces-not-programs-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ The Piece as a Unit of Creative Cognition · arXiv 4pp — A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.
+
+
+ notepat.com
+
+ https://papers.aesthetic.computer/notepat-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ From Keyboard Toy to System Front Door · arXiv 5pp — notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.
+
+
+ Vestigial Features
+
+ https://papers.aesthetic.computer/dead-ends-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp — The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
+
+
+ Repository Archaeology
+
+ https://papers.aesthetic.computer/repo-archaeology-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline — Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
+
+
+ Network Audit
+
+ https://papers.aesthetic.computer/network-audit-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Who Uses Aesthetic Computer and What Do They Make? · arXiv 4pp — Network Audit asks who uses Aesthetic Computer and what they make with it. The paper turns usage patterns into a portrait of a community in motion.
+
+
+ KidLisp Language Reference
+
+ https://papers.aesthetic.computer/kidlisp-reference-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ 118 Built-ins in 12 Categories · arXiv 4pp — The KidLisp reference compresses the language into a usable field guide. It groups 118 built-ins into 12 categories for quick browsing and recall.
+
+
+ Citation Diversity Audit
+
+ https://papers.aesthetic.computer/citation-diversity-audit-26.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Diversity and Inclusion in AC Paper Citations · 4pp — Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.Aesthetic Computer '26https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf
- 2026-05-02T22:01:58.680Z
+ 2026-05-02T22:01:58.000Z@jeffreyJOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.
+
+ KidLisp '26
+
+ https://papers.aesthetic.computer/kidlisp-26-joss.pdf
+ 2026-05-02T22:01:58.000Z
+
+ @jeffrey
+ JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.
+
+
+ KidLisp (ELS 2026)
+
+ https://papers.aesthetic.computer/kidlisp-els-2026.pdf
+ 2026-05-02T22:01:58.000Z
+
+ @jeffrey
+ A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
+
+
+ Recurse Center — A Dossier
+
+ https://papers.aesthetic.computer/recurse-dossier-26-arxiv.pdf
+ 2026-05-02T21:30:40.904Z
+ 2026-05-02T00:00:00.000Z
+
+ @jeffrey
+ Recurse Center · for-profit, recruiting-funded model · arXiv — What is publicly recoverable about the Recurse Center: a for-profit programmers' retreat funded by a recruiting model, read through founder interviews and public statements. Fact-surfacing, not argument.
+
diff --git a/system/public/papers.aesthetic.computer/index.html b/system/public/papers.aesthetic.computer/index.html
index b4ad075edd..eecf8a7ac8 100644
--- a/system/public/papers.aesthetic.computer/index.html
+++ b/system/public/papers.aesthetic.computer/index.html
@@ -381,6 +381,88 @@
}
.dossiers-list { display: contents; }
+ /* === Category sections === */
+ .cat { margin-top: 2.2em; }
+ .cat:first-of-type { margin-top: 0.8em; }
+ .cat-head {
+ display: flex;
+ align-items: baseline;
+ gap: 0.35em;
+ font-size: 1.05em;
+ font-weight: 600;
+ color: var(--text);
+ text-transform: lowercase;
+ letter-spacing: 0.04em;
+ border-top: 1px solid var(--sep);
+ padding-top: 1em;
+ margin-bottom: 0.15em;
+ }
+ .cat-head .cat-semi { color: var(--pink); margin-left: -0.28em; }
+ .cat-head .cat-count {
+ margin-left: 0.25em;
+ font-size: 0.62em;
+ font-weight: 500;
+ color: var(--dim);
+ border: 1px solid var(--box-border);
+ border-radius: 999px;
+ padding: 0.05em 0.55em;
+ letter-spacing: 0;
+ line-height: 1.6;
+ }
+ .cat-sub {
+ margin-bottom: 0.8em;
+ font-size: 0.8em;
+ color: var(--dim);
+ max-width: 72ch;
+ }
+ .cat-list { display: block; }
+
+ /* Archive — quiet, deprecated lane at the bottom */
+ .cat--archive .cat-head,
+ .cat--archive .cat-head .cat-semi { color: var(--dim); }
+ .cat--archive .cat-list .p { opacity: 0.5; transition: opacity 0.15s, background 0.15s; }
+ .cat--archive .cat-list .p:hover { opacity: 0.92; }
+ /* Archived papers don't get the loud psycho treatment */
+ .cat--archive .p.psycho { animation: none; border-left: none; }
+ .cat--archive .p.psycho::before { display: none; }
+
+ /* === Mobile: dense 3-up cover grid (bookshelf) === */
+ @media (max-width: 600px) {
+ .cat-list {
+ display: grid;
+ grid-template-columns: repeat(3, minmax(0, 1fr));
+ gap: 0.7em 0.6em;
+ }
+ .cat-list .p {
+ flex-direction: column;
+ align-items: stretch;
+ gap: 0.4em;
+ padding: 0.15em 0.1em 0.3em;
+ border-bottom: none;
+ border-radius: 4px;
+ min-width: 0;
+ }
+ .cat-list .p:nth-child(even) { background: none; }
+ .cat-list .p .thumb { width: 100%; }
+ .cat-list .p .body { width: 100%; min-width: 0; }
+ .cat-list .p .detail,
+ .cat-list .p .abstract,
+ .cat-list .p .meta-row,
+ .cat-list .p .format-icons { display: none; }
+ .cat-list .p .title {
+ font-size: 0.72em;
+ line-height: 1.22;
+ font-weight: 500;
+ display: -webkit-box;
+ -webkit-line-clamp: 2;
+ -webkit-box-orient: vertical;
+ overflow: hidden;
+ }
+ /* Cards with no thumbnail still need a tappable target */
+ .cat-list .p:not(:has(.thumb)) { padding-top: 0.4em; }
+ .cat-sub { display: none; }
+ }
+
.colophon {
margin-top: 1em;
padding-top: 1.2em;
@@ -708,476 +790,511 @@
-
+
+
platform & language;13
+
the runtime, the language, and the surfaces you actually touch.
A Mobile-First Runtime for Creative Computing · arXiv 5pp
Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.
A Minimal Lisp for Generative Art on a Social Platform · arXiv 6pp
KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.
Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv
-
This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.
A Bare-Metal Creative Computing Operating System · arXiv 5pp
AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.
Processing at the Core of the Piece API · arXiv 7pp
The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.
Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp
-
A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
The Piece as a Unit of Creative Cognition · arXiv 4pp
A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.
From Keyboard Toy to System Front Door · arXiv 5pp
notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.
Goodiepalian Approaches in Aesthetic Computer · arXiv 5pp
-
This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.
Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp
-
Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
Handle Identity on the AT Protocol treats naming as a social and technical problem. The paper explores how handles, identity, and publishing can be tied together without losing portability.
Platform Hegemony, Critique-as-Content, and Anti-Environments · arXiv 5pp
-
Sucking on the Complex critiques platform hegemony and the way critique becomes content. It looks for anti-environments that stay messy, resistant, and alive.
Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp
-
The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
Addressable Creative Computing from Lovelace's Footnotes to Aesthetic Computer · arXiv
+
The URL Tradition traces address-thinking from Lovelace's footnotes, Bush's trails, Xanadu, and the Negro Motorist Green Book through net.art, single-serving sites, the tilde, Glitch, and Aesthetic Computer's prompt-as-address-bar. It argues the URL is not a feature but a medium property that reshapes authorship, distribution, pedagogy, performance, and political claim.
Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline
-
Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
Diversity and Inclusion in AC Paper Citations · 4pp
-
Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.
-
@jeffrey03/21revision 5May 23 15:45
+
+
essays & criticism;12
+
arguments about creative computing — its lineage, its players, and its discontents.
Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv
+
This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.
Get Closed Source Out of Schools makes the case that creative computing should be teachable, inspectable, and modifiable. The paper argues for open tools as infrastructure for learning.
Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp
+
A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
Five Years from Now is a projection paper about where the project could go if current habits continue. It uses the near future to test the consequences of today's decisions.
Goodiepalian Approaches in Aesthetic Computer · arXiv 5pp
+
This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.
CalArts, Callouts, and Papers turns a local institutional context into a study of friction, attention, and production. The paper leans into psycho style to show how academic labor is staged and performed.
Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp
+
Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
Handle Identity on the AT Protocol treats naming as a social and technical problem. The paper explores how handles, identity, and publishing can be tied together without losing portability.
Platform Hegemony, Critique-as-Content, and Anti-Environments · arXiv 5pp
+
Sucking on the Complex critiques platform hegemony and the way critique becomes content. It looks for anti-environments that stay messy, resistant, and alive.
Two Departments, One Building examines how funding and infrastructure shape creative work in shared spaces. The paper looks at administrative boundaries as part of the artistic system.
Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp
+
The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
John Holden's Proto-Cognitive Music Theory and Aesthetic Computer · arXiv 7pp
-
The Potter and the Prompt argues that AC independently converges on the core principles of John Holden's 1770 proto-cognitive music theory. It proposes AC as a computational laboratory for advancing Holden's unfinished program on grouping, attention, and the module.
Five Years from Now is a projection paper about where the project could go if current habits continue. It uses the near future to test the consequences of today's decisions.
John Holden's Proto-Cognitive Music Theory and Aesthetic Computer · arXiv 7pp
+
The Potter and the Prompt argues that AC independently converges on the core principles of John Holden's 1770 proto-cognitive music theory. It proposes AC as a computational laboratory for advancing Holden's unfinished program on grouping, attention, and the module.
Reading the Score looks at the graphic score as an interface for interpretation and collaboration. The paper treats notation as a computational and social object.
Addressable Creative Computing from Lovelace's Footnotes to Aesthetic Computer · arXiv
-
The URL Tradition traces address-thinking from Lovelace's footnotes, Bush's trails, Xanadu, and the Negro Motorist Green Book through net.art, single-serving sites, the tilde, Glitch, and Aesthetic Computer's prompt-as-address-bar. It argues the URL is not a feature but a medium property that reshapes authorship, distribution, pedagogy, performance, and political claim.
A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp
-
An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
-
May 2 22:01
+
+
audits & field studies;4
+
data turned back on the project itself — who uses it, what it cites, where it came from.
Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline
+
Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
Diversity and Inclusion in AC Paper Citations · 4pp
+
Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.
Get Closed Source Out of Schools makes the case that creative computing should be teachable, inspectable, and modifiable. The paper argues for open tools as infrastructure for learning.
+
@jeffrey03/20revision 5May 18 06:16
+
+
+
-
dossiers;
-
what's publicly recoverable about art-and-tech institutions and their largest funders — fact-surfacing, not argument.
-
-
+
+
dossiers;18
+
what's publicly recoverable about art-and-tech institutions and their largest funders — fact-surfacing, not argument.
What is publicly recoverable about Rhizome.org: governance, finances, and named grants reconstructed from IRS 990 filings and masthead snapshots. The dossier records the documentary record and stops where the facts run out.
School for Poetic Computation · LLC, public finance repo · arXiv
What is publicly recoverable about the School for Poetic Computation: an LLC that publishes its own finances to a public GitHub repository, read alongside programs and people. Fact-surfacing, not argument.
What is publicly recoverable about Eyebeam: financials, governance, residencies, and named grants pulled from IRS 990 XML. The dossier surfaces the record without interpreting it.
Recurse Center · for-profit, recruiting-funded model · arXiv
What is publicly recoverable about the Recurse Center: a for-profit programmers' retreat funded by a recruiting model, read through founder interviews and public statements. Fact-surfacing, not argument.
What is publicly recoverable about the Internet Archive: finances and governance from IRS 990 filings, plus a litigation track from public court records. The dossier records both and stops at the facts.
The funder flip · 990-PF + grants database · arXiv
The funder side: what is publicly recoverable about the Mellon Foundation from its 990-PF and grants database — the Form 990-PF that paid for nontrivial chunks of the other dossiers. Fact-surfacing, not argument.
What is publicly recoverable about Pioneer Works: finances, governance, and a founder-as-funder structure reconstructed from IRS 990 filings and public record. The dossier surfaces the record without interpreting it.
What is publicly recoverable about NEW INC, the New Museum's incubator: finances and governance read out of the parent museum's IRS 990, where the program is embedded rather than separately filed. Fact-surfacing, not argument.
What is publicly recoverable about the Studio Museum in Harlem: finances, governance, and a capital campaign reconstructed from IRS 990 filings and public documents. The dossier records the documentary record.
What is publicly recoverable about HathiTrust: a University of Michigan library service with no separate IRS 990, surfaced instead through host-institution disclosures and public reports. Fact-surfacing, not argument.
What is publicly recoverable about The Kitchen: a half-century of finances and governance reconstructed from IRS 990 filings and public record across the organization's long arc. The dossier stops where the facts run out.
501(c)(3) recipient (until 2018) · Echo Park · arXiv
What is publicly recoverable about Machine Project: the Echo Park space's finances and governance from IRS 990 filings through its 2018 wind-down. Fact-surfacing, not argument.
What is publicly recoverable about Heavy Manners Library: a small space whose legal status is undisclosed, surfaced through what little public record exists. The dossier records the gaps as part of the record.
What is publicly recoverable about Creative Time, the New York public-art nonprofit (1974–): structure, programs, people, and money from the IRS 990 series and its program archive. Scaffold revision — figures pending the data pass; fact-surfacing, not argument.
501(c)(3) artist-grant funder · 990 + grantee record · arXiv
What is publicly recoverable about Creative Capital, the New York nonprofit (1999–) that regrants to individual artists: structure, the award, people, and money from the IRS 990 series and the public grantee record. Scaffold revision — figures pending; fact-surfacing, not argument.
The public-company flip · SEC EDGAR + 11-year archive · arXiv
The public-company side: what is publicly recoverable about MicroVision (NASDAQ: MVIS) from SEC EDGAR and an eleven-year family archive of filings. Fact-surfacing, not argument.
What's New CalArts!? surfaces what is publicly recoverable about CalArts in a news-format dossier: programs, finances, and governance from public documents. The dossier records the record and stops at the facts.
Two Departments, One Building examines how funding and infrastructure shape creative work in shared spaces. The paper looks at administrative boundaries as part of the artistic system.
+
@jeffrey03/27revision 4May 18 06:16
+
+
+
+
+
+
+
software papers;3
+
conventional software-paper summaries, for archival and citation.
A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp
+
An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
+
May 2 15:01
+
+
+
+
+
archive;1
+
deprecated — kept for the record, no longer actively maintained.
CalArts, Callouts, and Papers turns a local institutional context into a study of friction, attention, and production. The paper leans into psycho style to show how academic labor is staged and performed.
+
@jeffrey03/21revision 5May 18 06:16
+
+
+
+
+
+
+
@@ -1633,12 +1750,10 @@
// === SORTING ===
let hitTotals = {};
+ // Sort within each category section. Lists flagged [data-nosort]
+ // (dossiers, archive) keep their curated DOM order untouched.
function sortPapers(mode) {
- const container = document.querySelector('.p')?.parentElement;
- if (!container) return;
- const papers = [...container.querySelectorAll('.p')];
-
- papers.sort((a, b) => {
+ const cmp = (a, b) => {
if (mode === 'hits') {
return (hitTotals[b.dataset.paperId] || 0) - (hitTotals[a.dataset.paperId] || 0);
} else if (mode === 'updated') {
@@ -1651,8 +1766,12 @@
return cb.localeCompare(ca);
}
return 0;
+ };
+ document.querySelectorAll('.cat-list:not([data-nosort])').forEach(list => {
+ const papers = [...list.children].filter(el => el.classList.contains('p'));
+ papers.sort(cmp);
+ for (const p of papers) list.appendChild(p);
});
- for (const p of papers) container.appendChild(p);
}
// Sort bar clicks
@@ -1674,9 +1793,7 @@
const id = s._id.paper;
hitTotals[id] = (hitTotals[id] || 0) + s.count;
}
- const container = document.querySelector('.p')?.parentElement;
- if (!container) return;
- for (const p of container.querySelectorAll('.p')) {
+ for (const p of document.querySelectorAll('.p')) {
const id = p.dataset.paperId;
const count = hitTotals[id] || 0;
const metaRow = p.querySelector('.meta-row');
diff --git a/system/public/papers.aesthetic.computer/rss.xml b/system/public/papers.aesthetic.computer/rss.xml
index 48ff370672..d59db02b57 100644
--- a/system/public/papers.aesthetic.computer/rss.xml
+++ b/system/public/papers.aesthetic.computer/rss.xml
@@ -5,7 +5,7 @@
https://papers.aesthetic.computer/
- 2026-05-23T15:45:51.978Z
+ 2026-05-23T15:53:13.635Z@jeffreyhttps://orcid.org/0009-0007-4460-4913
@@ -13,180 +13,78 @@
https://papers.aesthetic.computer/papers-og.jpgCC BY 4.0 unless noted otherwise.
- Aesthetic Computer '26
-
- https://papers.aesthetic.computer/aesthetic-computer-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Mobile-First Runtime for Creative Computing · arXiv 5pp — Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.
-
-
- KidLisp '26
-
- https://papers.aesthetic.computer/kidlisp-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Minimal Lisp for Generative Art on a Social Platform · arXiv 6pp — KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.
-
-
- PLOrk'ing the Planet
-
- https://papers.aesthetic.computer/plorking-the-planet-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv — This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.
-
-
- AC Native OS
-
- https://papers.aesthetic.computer/ac-native-os-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- A Bare-Metal Creative Computing Operating System · arXiv 5pp — AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.
-
-
- From setup() to boot()
-
- https://papers.aesthetic.computer/piece-api-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
+ Jeffrey Alan Scudder — CV
+
+ https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf
+ 2026-05-23T15:53:13.635Z@jeffrey
- Processing at the Core of the Piece API · arXiv 7pp — The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.
- Who Pays for Creative Tools?
-
- https://papers.aesthetic.computer/who-pays-for-creative-tools-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-27T00:00:00.000Z
+ Creative Time — A Dossier
+
+ https://papers.aesthetic.computer/creative-time-dossier-26-arxiv.pdf
+ 2026-05-18T13:34:03.454Z
+ 2026-05-18T00:00:00.000Z@jeffrey
- Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp — A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
+ 501(c)(3) public-art commissioner · IRS 990 pipeline · arXiv — What is publicly recoverable about Creative Time, the New York public-art nonprofit (1974–): structure, programs, people, and money from the IRS 990 series and its program archive. Scaffold revision — figures pending the data pass; fact-surfacing, not argument.
- Pieces Not Programs
-
- https://papers.aesthetic.computer/pieces-not-programs-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
+ Creative Capital — A Dossier
+
+ https://papers.aesthetic.computer/creative-capital-dossier-26-arxiv.pdf
+ 2026-05-18T13:34:03.454Z
+ 2026-05-18T00:00:00.000Z@jeffrey
- The Piece as a Unit of Creative Cognition · arXiv 4pp — A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.
+ 501(c)(3) artist-grant funder · 990 + grantee record · arXiv — What is publicly recoverable about Creative Capital, the New York nonprofit (1999–) that regrants to individual artists: structure, the award, people, and money from the IRS 990 series and the public grantee record. Scaffold revision — figures pending; fact-surfacing, not argument.
- notepat.com
-
- https://papers.aesthetic.computer/notepat-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ PLOrk'ing the Planet
+
+ https://papers.aesthetic.computer/plorking-the-planet-26-arxiv.pdf
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
- From Keyboard Toy to System Front Door · arXiv 5pp — notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.
+ Laptop Orchestras, PLOrk Heritage, and Aesthetic Computer · arXiv — This paper connects Aesthetic Computer to laptop orchestras and the collaborative traditions of PLOrk. It treats the browser as a place for ensemble practice, not just solo desktop programming.Radical Computer Arthttps://papers.aesthetic.computer/radical-computer-art-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyGoodiepalian Approaches in Aesthetic Computer · arXiv 5pp — This paper treats Goodiepalian practice as a model for radical computer art. It emphasizes play, notation, and the social life of systems over polished product design.
-
- Whistlegraph
-
- https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
- Sucking on the Complexhttps://papers.aesthetic.computer/sucking-on-the-complex-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyPlatform Hegemony, Critique-as-Content, and Anti-Environments · arXiv 5pp — Sucking on the Complex critiques platform hegemony and the way critique becomes content. It looks for anti-environments that stay messy, resistant, and alive.
-
- Vestigial Features
-
- https://papers.aesthetic.computer/dead-ends-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp — The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
- Playable Folk Songshttps://papers.aesthetic.computer/folk-songs-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffreyOral Tradition Meets the Browser Keyboard · arXiv — Playable Folk Songs brings oral tradition into the browser keyboard. The paper asks how simple interaction can carry collective memory and repetition.
-
- Repository Archaeology
-
- https://papers.aesthetic.computer/repo-archaeology-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline — Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
-
-
- Network Audit
-
- https://papers.aesthetic.computer/network-audit-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Who Uses Aesthetic Computer and What Do They Make? · arXiv 4pp — Network Audit asks who uses Aesthetic Computer and what they make with it. The paper turns usage patterns into a portrait of a community in motion.
-
-
- KidLisp Language Reference
-
- https://papers.aesthetic.computer/kidlisp-reference-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- 118 Built-ins in 12 Categories · arXiv 4pp — The KidLisp reference compresses the language into a usable field guide. It groups 118 built-ins into 12 categories for quick browsing and recall.
-
-
- Citation Diversity Audit
-
- https://papers.aesthetic.computer/citation-diversity-audit-26.pdf
- 2026-05-23T15:45:51.978Z
- 2026-03-21T00:00:00.000Z
-
- @jeffrey
- Diversity and Inclusion in AC Paper Citations · 4pp — Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.
- Get Closed Source Out of Schoolshttps://papers.aesthetic.computer/open-schools-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-20T00:00:00.000Z@jeffrey
@@ -196,7 +94,7 @@
Five Years from Nowhttps://papers.aesthetic.computer/five-years-from-now-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-20T00:00:00.000Z@jeffrey
@@ -206,7 +104,7 @@
CalArts, Callouts, and Papershttps://papers.aesthetic.computer/calarts-callouts-papers-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -216,7 +114,7 @@
Handle Identity on the AT Protocolhttps://papers.aesthetic.computer/handle-identity-atproto-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-27T00:00:00.000Z@jeffrey
@@ -226,7 +124,7 @@
Two Departments, One Buildinghttps://papers.aesthetic.computer/ucla-arts-funding-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-27T00:00:00.000Z@jeffrey
@@ -236,7 +134,7 @@
The Potter and the Prompthttps://papers.aesthetic.computer/potter-and-prompt-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-05T00:00:00.000Z@jeffrey
@@ -246,7 +144,7 @@
Keymaps as Social Softwarehttps://papers.aesthetic.computer/keymaps-social-software-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -255,7 +153,7 @@
KidLisp Cardshttps://papers.aesthetic.computer/kidlisp-cards-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -265,7 +163,7 @@
Reading the Scorehttps://papers.aesthetic.computer/reading-the-score-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-03-21T00:00:00.000Z@jeffrey
@@ -275,7 +173,7 @@
The URL Traditionhttps://papers.aesthetic.computer/url-tradition-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-27T00:00:00.000Z@jeffrey
@@ -285,7 +183,7 @@
Where the Microseconds Gohttps://papers.aesthetic.computer/where-the-microseconds-go-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-26T00:00:00.000Z@jeffrey
@@ -294,25 +192,16 @@
Diagrams from Datahttps://papers.aesthetic.computer/diagrams-from-data-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-04-28T00:00:00.000Z@jeffrey
-
- Jeffrey Alan Scudder — CV
-
- https://papers.aesthetic.computer/jeffrey-alan-scudder-cv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-23T00:00:00.000Z
-
- @jeffrey
- Rhizome.org — A Dossierhttps://papers.aesthetic.computer/rhizome-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -322,7 +211,7 @@
School for Poetic Computation — A Dossierhttps://papers.aesthetic.computer/sfpc-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -332,27 +221,17 @@
Eyebeam — A Dossierhttps://papers.aesthetic.computer/eyebeam-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey501(c)(3) art-and-technology recipient · IRS 990 pipeline · arXiv — What is publicly recoverable about Eyebeam: financials, governance, residencies, and named grants pulled from IRS 990 XML. The dossier surfaces the record without interpreting it.
-
- Recurse Center — A Dossier
-
- https://papers.aesthetic.computer/recurse-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-02T00:00:00.000Z
-
- @jeffrey
- Recurse Center · for-profit, recruiting-funded model · arXiv — What is publicly recoverable about the Recurse Center: a for-profit programmers' retreat funded by a recruiting model, read through founder interviews and public statements. Fact-surfacing, not argument.
- Internet Archive — A Dossierhttps://papers.aesthetic.computer/internet-archive-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -362,7 +241,7 @@
Mellon Foundation — A Dossierhttps://papers.aesthetic.computer/mellon-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -372,7 +251,7 @@
Pioneer Works — A Dossierhttps://papers.aesthetic.computer/pioneer-works-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-02T00:00:00.000Z@jeffrey
@@ -382,7 +261,7 @@
A Fraserin' Art + Techhttps://papers.aesthetic.computer/fraserin-essay-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -391,7 +270,7 @@
Comp Stratshttps://papers.aesthetic.computer/comp-strats-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-03T00:00:00.000Z@jeffrey
@@ -400,7 +279,7 @@
MicroVision — A Dossierhttps://papers.aesthetic.computer/microvision-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-04T00:00:00.000Z@jeffrey
@@ -410,7 +289,7 @@
What's New CalArts!? — A Dossierhttps://papers.aesthetic.computer/whats-new-calarts-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -420,7 +299,7 @@
NEW INC — A Dossierhttps://papers.aesthetic.computer/new-inc-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -430,7 +309,7 @@
Studio Museum in Harlem — A Dossierhttps://papers.aesthetic.computer/studio-museum-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -440,7 +319,7 @@
HathiTrust — A Dossierhttps://papers.aesthetic.computer/hathitrust-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -450,7 +329,7 @@
The Kitchen — A Dossierhttps://papers.aesthetic.computer/the-kitchen-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -460,7 +339,7 @@
Machine Project — A Dossierhttps://papers.aesthetic.computer/machine-project-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffrey
@@ -470,57 +349,177 @@
Heavy Manners Library — A Dossierhttps://papers.aesthetic.computer/heavy-manners-library-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
+ 2026-05-18T13:16:55.495Z2026-05-18T00:00:00.000Z@jeffreySmall space · status undisclosed · arXiv — What is publicly recoverable about Heavy Manners Library: a small space whose legal status is undisclosed, surfaced through what little public record exists. The dossier records the gaps as part of the record.
- Creative Time — A Dossier
-
- https://papers.aesthetic.computer/creative-time-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-18T00:00:00.000Z
+ Whistlegraph
+
+ https://papers.aesthetic.computer/whistlegraph-26-arxiv.pdf
+ 2026-05-14T22:33:52.895Z
+ 2026-03-21T00:00:00.000Z@jeffrey
- 501(c)(3) public-art commissioner · IRS 990 pipeline · arXiv — What is publicly recoverable about Creative Time, the New York public-art nonprofit (1974–): structure, programs, people, and money from the IRS 990 series and its program archive. Scaffold revision — figures pending the data pass; fact-surfacing, not argument.
+ Drawing, Singing, and the Graphic Score as Viral Form · arXiv 4pp — Whistlegraph explores drawing, singing, and score-making as forms that can spread like software. The paper links graphic notation to performance, remix, and browser-native sharing.
- Creative Capital — A Dossier
-
- https://papers.aesthetic.computer/creative-capital-dossier-26-arxiv.pdf
- 2026-05-23T15:45:51.978Z
- 2026-05-18T00:00:00.000Z
+ Aesthetic Computer '26
+
+ https://papers.aesthetic.computer/aesthetic-computer-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z@jeffrey
- 501(c)(3) artist-grant funder · 990 + grantee record · arXiv — What is publicly recoverable about Creative Capital, the New York nonprofit (1999–) that regrants to individual artists: structure, the award, people, and money from the IRS 990 series and the public grantee record. Scaffold revision — figures pending; fact-surfacing, not argument.
+ A Mobile-First Runtime for Creative Computing · arXiv 5pp — Aesthetic Computer is presented as a mobile-first creative computing runtime where the interface, publishing flow, and community feedback loop are part of the medium. The paper argues that small pieces can make software feel more social, more portable, and easier to share.
- KidLisp (ELS 2026)
-
- https://papers.aesthetic.computer/kidlisp-els-2026.pdf
- 2026-05-02T22:01:58.776Z
-
+ KidLisp '26
+
+ https://papers.aesthetic.computer/kidlisp-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+ @jeffrey
- A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
+ A Minimal Lisp for Generative Art on a Social Platform · arXiv 6pp — KidLisp is the platform's tiny Lisp for building visual and musical pieces in the browser. The paper shows how a minimal language can stay approachable while still supporting generative art and composition.
- KidLisp '26
-
- https://papers.aesthetic.computer/kidlisp-26-joss.pdf
- 2026-05-02T22:01:58.755Z
-
+ AC Native OS
+
+ https://papers.aesthetic.computer/ac-native-os-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+ @jeffrey
- JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.
+ A Bare-Metal Creative Computing Operating System · arXiv 5pp — AC Native OS describes a bare-metal runtime for creative computing. It focuses on boot-time simplicity and the idea that the operating system itself can be a programmable art surface.
+
+
+ From setup() to boot()
+
+ https://papers.aesthetic.computer/piece-api-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Processing at the Core of the Piece API · arXiv 7pp — The Piece API rethinks creative software around composable pieces instead of monolithic apps. It uses Processing's lineage to connect setup(), boot(), and the act of publishing.
+
+
+ Who Pays for Creative Tools?
+
+ https://papers.aesthetic.computer/who-pays-for-creative-tools-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-27T00:00:00.000Z
+
+ @jeffrey
+ Funding, Burnout, and Survival in Open-Source Creative Computing · arXiv 5pp — A short look at who supports open-source creative tools and what that labor costs. The paper connects funding, burnout, and long-term maintenance to the life of artistic software.
+
+
+ Pieces Not Programs
+
+ https://papers.aesthetic.computer/pieces-not-programs-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ The Piece as a Unit of Creative Cognition · arXiv 4pp — A piece is treated here as the basic unit of creative cognition in AC. The paper argues that smaller, shareable pieces encourage composition, remix, and publication.
+
+
+ notepat.com
+
+ https://papers.aesthetic.computer/notepat-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ From Keyboard Toy to System Front Door · arXiv 5pp — notepat.com is framed as a keyboard-first front door to the system. The paper follows the toy-like input surface as it grows into a fuller creative interface.
+
+
+ Vestigial Features
+
+ https://papers.aesthetic.computer/dead-ends-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Dormant Paths, Evolutionary Branches, and Abandoned Approaches · arXiv 4pp — The paper catalogs dormant branches, abandoned experiments, and paths that never became default. It treats dead ends as useful history rather than failure.
+
+
+ Repository Archaeology
+
+ https://papers.aesthetic.computer/repo-archaeology-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Tracing the Evolution of AC Through Its Git History · arXiv 3pp · interactive timeline — Repository Archaeology traces the project through its git history. The paper shows how version control can become a narrative medium for design evolution.
+
+
+ Network Audit
+
+ https://papers.aesthetic.computer/network-audit-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Who Uses Aesthetic Computer and What Do They Make? · arXiv 4pp — Network Audit asks who uses Aesthetic Computer and what they make with it. The paper turns usage patterns into a portrait of a community in motion.
+
+
+ KidLisp Language Reference
+
+ https://papers.aesthetic.computer/kidlisp-reference-26-arxiv.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ 118 Built-ins in 12 Categories · arXiv 4pp — The KidLisp reference compresses the language into a usable field guide. It groups 118 built-ins into 12 categories for quick browsing and recall.
+
+
+ Citation Diversity Audit
+
+ https://papers.aesthetic.computer/citation-diversity-audit-26.pdf
+ 2026-05-14T22:27:38.274Z
+ 2026-03-21T00:00:00.000Z
+
+ @jeffrey
+ Diversity and Inclusion in AC Paper Citations · 4pp — Citation Diversity Audit looks at who gets cited in the papers and where the archive is thin. The paper uses citation patterns as a proxy for inclusion and intellectual range.Aesthetic Computer '26https://papers.aesthetic.computer/aesthetic-computer-26-joss.pdf
- 2026-05-02T22:01:58.680Z
+ 2026-05-02T22:01:58.000Z@jeffreyJOSS Summary · 2pp — A compact JOSS summary of Aesthetic Computer for archival and citation purposes. It distills the platform into a conventional software paper format.
+
+ KidLisp '26
+
+ https://papers.aesthetic.computer/kidlisp-26-joss.pdf
+ 2026-05-02T22:01:58.000Z
+
+ @jeffrey
+ JOSS Summary · 3pp — A compact JOSS summary of KidLisp for archival and citation purposes. It frames the language as a small but expressive tool for generative art.
+
+
+ KidLisp (ELS 2026)
+
+ https://papers.aesthetic.computer/kidlisp-els-2026.pdf
+ 2026-05-02T22:01:58.000Z
+
+ @jeffrey
+ A Minimal Lisp for Generative Art with Social Composition · ELS ACM SIGS 4pp — An ELS conference version of KidLisp that emphasizes social composition. It positions the language as a shared practice rather than a solo scripting environment.
+
+
+ Recurse Center — A Dossier
+
+ https://papers.aesthetic.computer/recurse-dossier-26-arxiv.pdf
+ 2026-05-02T21:30:40.904Z
+ 2026-05-02T00:00:00.000Z
+
+ @jeffrey
+ Recurse Center · for-profit, recruiting-funded model · arXiv — What is publicly recoverable about the Recurse Center: a for-profit programmers' retreat funded by a recruiting model, read through founder interviews and public statements. Fact-surfacing, not argument.
+