From 0d9e306c60b5e460317345b1bc393d21ebd959f2 Mon Sep 17 00:00:00 2001 From: prompt.ac/@jeffrey Date: Sat, 23 May 2026 13:49:30 +0000 Subject: [PATCH] papers/artsit-2026: simplified brief — Whistlegraph sound/image track ArtsIT 2026 Full Papers, deadline 2026-06-01 (12 days), Dec 2–4 in Bratislava, Springer LNICST. Aims at the sound/image relationships special track — drawing + singing fusion maps cleanly. Single-spine framing: Whistlegraph as one coherent artifact, one viral form. Reuses arxiv-whistlegraph/whistlegraph.tex as raw material rather than re-deriving from zero. SUBMISSIONS.md row updated from NEW to BRIEF + track name pinned. Co-Authored-By: Claude Opus 4.7 (1M context) --- papers/SUBMISSIONS.md | 2 +- papers/artsit-2026/SIMPLIFIED-BRIEF.md | 107 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ 2 file(s) changed, 108 insertion(s)(+), 1 deletion(s)(-) diff --git a/papers/SUBMISSIONS.md b/papers/SUBMISSIONS.md --- a/papers/SUBMISSIONS.md +++ b/papers/SUBMISSIONS.md @@ -58,7 +58,7 @@ | Venue | Track | Deadline | State | Directory | |---|---|---|---|---| | SIGGRAPH Asia 2026 | Tech Papers (full) | 2026-05-05 form / 2026-05-12 paper / 2026-05-13 upload | SCAFFOLD | `siggraph-asia-2026-tech/` | | ICCC 2026 | Early Career Symposium | 2026-05-15 | BRIEF | `iccc-early-career-2026/` | -| ArtsIT 2026 | Full Papers | 2026-06-01 | NEW | (none yet) | +| ArtsIT 2026 | Full Papers (sound/image track) | 2026-06-01 | BRIEF | `artsit-2026/` | | SIGGRAPH Asia 2026 | Art Papers | 2026-06-08 | NEW | (none yet) | | SIGGRAPH Asia 2026 | Art Gallery / ET / XR | 2026-06-18 | NEW | (none yet) | | SIGGRAPH Asia 2026 | Posters | 2026-07-31 | NEW | (none yet) | diff --git a/papers/artsit-2026/SIMPLIFIED-BRIEF.md b/papers/artsit-2026/SIMPLIFIED-BRIEF.md new file mode 100644 --- /dev/null +++ b/papers/artsit-2026/SIMPLIFIED-BRIEF.md @@ -0,0 +1,107 @@ +# Simplified Brief — ArtsIT 2026 Full Papers + +Date: 2026-05-20 + +Deadline: 2026-06-01 (12 days out) + +Conference: Dec 2–4, 2026 — Bratislava, Slovakia (hybrid) + +Publication: Springer LNICST (indexed Web of Science, Scopus, Compendex, DBLP) + +Likely track: **sound/image relationships** (one of ArtsIT's 8 special tracks +— maps cleanly onto Whistlegraph's drawing + singing fusion). + +## One-sentence version + +Whistlegraph is a graphic-score format where a single brush-stroke gesture +records both a drawing and the voice that sang it, making notation, performance, +and circulation the same artifact. + +## Spine — single subsystem + +Whistlegraph. Not Aesthetic Computer as a whole, not KidLisp, not the OS. +One coherent artifact, one viral form, one set of arts-tech claims. + +Drop in via the existing `arxiv-whistlegraph/whistlegraph.tex` as raw material; +this paper is a venue-specific recasting for the sound/image track, not a +re-derivation from zero. + +## Keep + +- **Brush + voice as one stream:** the gesture and the audio are timestamped + together; you cannot perform the drawing without producing the score and + vice versa. +- **The graphic score as a viral form:** whistlegraphs circulate as short + loops; the score IS the share artifact, not a byproduct of it. +- **Singing as input modality:** voice-driven creative tools as an underused + channel in HCI, sitting between speech UI and instrument UI. +- **Public corpus:** Whistlegraph has a measurable body of work (the + whistlegraph-platter) that lets us point at actual scores instead of + imagined ones. + +## Cut or compress + +- AC platform overview / cosmology — venue is arts-tech, not systems. +- KidLisp internals — wrong audience. +- Latency / OS material — different paper entirely. +- Dossier / governance / sustainability politics. +- Anything that requires explaining the AC runtime before the artifact. + +## Proposed paper shape + +1. **Introduction:** notation, performance, and recording usually live in + three separate artifacts. Whistlegraph collapses them into one stroke. +2. **The artifact:** what a whistlegraph is, how it is captured, what it + looks/sounds like. Show one before any theory. +3. **Relation to graphic-score traditions:** Cardew, Crumb, Cage — the + short genealogy of scores-as-drawings, and where Whistlegraph fits. +4. **System (minimal):** the smallest description of the runtime needed to + make the artifact legible — pen + audio capture + replay. No more. +5. **Circulation:** how whistlegraphs travel; the score as the social object. +6. **Discussion:** what this implies for arts-tech tools that treat output + and notation as the same thing. +7. **Conclusion:** the move from "tool that produces art" to "form that is + art and tool simultaneously." + +## Abstract seed + +A whistlegraph is a short artifact in which a single brush-stroke gesture +records both a drawing and the voice that sang it. Drawing and singing share +one timeline: the stroke cannot be made without producing the score, and the +score cannot be replayed without re-producing the drawing. This paper presents +Whistlegraph as a graphic-score format situated between the open-notation +tradition (Cardew, Crumb, Cage) and contemporary short-form video, and argues +that its viral readability comes from collapsing notation, performance, and +recording into a single shareable form. We describe the minimal capture +runtime, characterise the public corpus of whistlegraphs produced over the +last several years, and discuss what this collapse implies for arts-technology +tools that today still treat creative output and its notation as separate +artifacts. + +## Tone + +AC papers voice — direct, personal, plain (see `papers/VOICE.md`). Lowercase +the artifact in body prose where natural; capitalize "Whistlegraph" when +naming the form/system. Springer LNICST allows a single-spine arts paper to +read like the artifact itself: short paragraphs, one claim per section, no +platform-pitch register. + +## What the platter contributes + +- `arxiv-whistlegraph/whistlegraph.tex` — primary source material. +- `papers/whistlegraph-platter/` — corpus + references for the public body + of work. +- `papers/jeffrey-platter/` — only for biographical sourcing if needed. +- `papers/VOICE.md` — register check before submission. + +## Open questions before drafting + +- **Anonymous review?** ArtsIT papers are reviewed; confirm whether full + papers are double-blind. If yes, strip named-author framing from the source + `whistlegraph.tex` before reuse. +- **Page limit?** Not stated on the landing page — pull from the Springer + LNICST template once we have it (typically 12–14 pp full / 6 pp short). +- **Special-track submission flow:** does the sound/image track use the same + EasyChair instance as main? Confirm at submission time. +- **Template:** Springer LNICST `.cls` + `splncs04.bst` — fetch official + package, do not rewrite AC layout for this venue. -- tangled.sh